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artist

Vector Artist Superfex – Interview

February 26, 2009 by Adam Jarvis 2 Comments

By Ansley Berrones

Plymouth, England

Claire Latchem, a.k.a Superfex, is an incredibly talented, 20 yr old college student from Plymouth, England, currently studying illustration at Plymouth University. Some of you may already be familiar with Superfex and her creative abilities. I recently had the opportunity to chat with her briefly and get to know her history, her work and what inspires her with her creative process. I’m quite sure there is something we can all learn from this inspirational interview.

VECTORVAULT: Hi Superfex! Tell us a bit more about your background. What did you want to be when you grew up? How did you get started as an artist/designer?

SUPERFEX: As a child when people asked me what I wanted to be it would either have been a zoo keeper or a vet. Since a young age I had always wanted to work with animals. As I got older I did a week of ‘work experience’ at a farm that’s open to the public not far from my hometown. I guess that’s what put me off! Waking up at 6am in the morning to go capture some goats that had escaped (and do escape on a regular basis) was not fun at all.

I remember when I was about 13/14, I was asked to pick my subjects to study at school. Of course you still had some that were compulsory but I looked at some leaflets and saw one for photography. I decided to take that class purely because I hadn’t done photography before and my dad had a nice b&w film camera.

Over time, illustration became a hobby which I did in my spare time and it slowly took over my life. I find it funny that now I draw animals, sculpt animals, paint animals and I even have an animal themed exhibition coming up this year so although it’s not exactly what I pictured as a kid, it’s still related.

Give us a little more information about your work. Did you go to school to study? What or whom inspires you the most? Are there any particular websites that you frequent to find inspiration?

I studied photography for 6 years at various colleges and I even did the first year of a photography degree at Plymouth University before deciding it wasn’t what I wanted anymore and I transferred to the neighboring illustration course.

I started using Photoshop for photography; though I was hardly ever taught anything about it through the teachers. I started playing around with illustrator about 3-4 years ago because a friend implied that it would be too hard for me to use.

Well I guess I showed him!

I find inspiration from literally anything: posters, magazines, art, photography, food, sculpture, anything really. If I see something I like then I photograph it and stick it in my scrapbook. I always carry a small sketchbook and a camera around with me wherever I go.

Books and Magazines are a great source of inspiration. I purchase Computer Arts Projects and Clutter Magazine on a regular basis. There’s nothing like a good book to flick through too. I often go to my local Waterstones to look through their collection and if I happen to find one I like I’ll order it from Amazon when I get home.

I found setting up an account on Deviantart years ago extremely beneficial to me. Not only was I able to talk to like-minded people and get useful critique on my work as I progressed, but I have also met some great friends and even picked up the odd job here and there. I think being part of an art/design community is a great way to improve your skills, develop your own style and have fun!

Some of the illustrators that have influenced me greatly are:

Jon Burgerman, Pete Fowler, Damien Vignaux, Karl Kwasny, Christopher Lee, DGPH, TADO, Superdeux, Flying Fortress and more recently Okkle, Julie West, Mcbess, Oliver Jeffers and Josh Cochran.

Websites that I visit everyday include: deviantart, flickr, bloodsweatvector, spraygraphic, vinylabuse, behance and lafraise.

[Read more…] about Vector Artist Superfex – Interview

Interview with retro vector illustrator Steve Millington

February 19, 2009 by Adam Jarvis Leave a Comment

Diskursdisko has done an interview with illustrator Steve Millington.
His retro style has become very popular over the past few years. His company Hisknibs has created a niche for work that seems to take cues from old album art, and fashion illustrations from the 60’s and 70’s. He successfully wraps them up with modern polish, making his work marketable and highly sought after.
Read his interview and learn what makes this creative master “tick”.

buy-vector

Shepard Fairey: Supply and Demand

February 8, 2009 by Adam Jarvis 1 Comment


Now a household name for his iconic take on the presidential visage, Shepard Fairey is uniquely suited for a career retrospective. And not just because of his Obama-fueled stardom. This year marks the 20th since the street artist/graphic designer/general renaissance man began printing his infamous “Andre the Giant has a Posse” stickers while a student at the Rhode Island School of Design. To mark the milestone, Boston’s Institute of Contemporary Art is presenting “Shepard Fairey: Supply and Demand,” Fairey’s first ever museum survey, which traces his oeuvre from 1989 through works he completed just weeks ago. The location is no accident either. Fairey admits a close connection to the town, as it was the first “real city” where he came to display his omnipresent street works.
 
Unlike many retrospectives, “Supply and Demand” is not organized chronologically. Since he regularly revisits certain concepts throughout the years, his work is separated into seven different thematic sections. The “Propaganda” portion, for instance, focuses on Fairey’s “Obey” theme, and includes plenty of works with Andre the Giant’s goofy mug. The “Music” section includes images of his biggest musical inspirations. In that room, portraits of Joe Strummer and Sid Vicious hang next to Tupac and Chuck D. But if there’s one underlying theme in the show, it’s exemplified by the last category, “Question Everything,” which subverts everything from Middle Eastern imagery to American currency. Running from this Friday through 16 August, the show is exclusively sponsored Levi’s, which couldn’t be more appropriate: the famed jeans company has championed Fairey since 2002, when they sponsored one of his group shows in Los Angeles.
We were lucky enough to get a preview of the exhibition, given by none other than the artist himself, who was dressed more GQ than DIY. He discussed myriad subjects, from the concept of street art to his creative process and post-Obama expectations. But since he explains it better than we can, we offer a particularly rough Rough Cut Video. Enjoy.
Shepard Fairey: Supply and Demand
6 February-16 August 2009
Institute of Contemporary Art Boston
100 Northern Avenue
Boston, MA 02210 map
+1 617 478 3100
Source: Coolhunting

Shepard Fairey accused of Copyright Infringement

February 5, 2009 by Adam Jarvis Leave a Comment

New York–
On buttons, posters and Web sites, the image was everywhere during last year’s presidential campaign: A pensive Barack Obama looking upward, as if to the future, splashed in a Warholesque red, white and blue and underlined with the caption HOPE.
Designed by Shepard Fairey, a Los-Angeles based street artist, the image has led to sales of hundreds of thousands of posters and stickers, has become so much in demand that copies signed by Fairey have been purchased for thousands of dollars on eBay.

The image, Fairey has acknowledged, is based on an Associated Press photograph, taken in April 2006 by Manny Garcia at the National Press Club in Washington.
The AP says it owns the copyright, and wants credit and compensation. Fairey disagrees.
Copyright 2009 The Associated Press. All rights reserved. This material may not be published, broadcast, rewritten or redistributed.

BARACK OBAMA VECTORS – FREE SAMPLES
VECTOR OBAMA INAUGURATION POSTER
SHEPARD FAIREY – OBAMA’S POSTERBOY
OBAMA POSTER – FROM OBEY
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Interview with patent illustrator Tom Giesler

January 26, 2009 by Adam Jarvis 5 Comments

Tom Giesler is a special illustrator with an eye for detail and a playful style. earlier this year, we posted a few of his illustrations and were overwhelmed with feedback. It seems as though Tom has struck a cord with many young illustrators and designers within the Vectorvault community.
Here is a montage of his work:

His anatomical posters grossed out half of our readers while the other half fell in love (Fifty fifty is a pretty good start).
This time around, we wanted to put some focus on his patent illustrations. While drawing patents may seem quite structured, Tom has infused his with a great deal of personality. He has helped to bring ideas to life and assisted inventors with their dreams of converting a concept into reality. There’s something to be said about that. 

For those of you out there who genuinely enjoy the precision of vector art and have an interest in product development, this may be a career worth exploring. Tom was kind enough to give us some insight into the niche industry of patent illustration.

VECTORVAULT:  Tell us about yourself.
Tom Geisler: As for my background, I’m a self-trained illustrator and painter. I began carving out a niche for myself as a patent illustrator while working as a gofer/office assistant at a medical device company about 13 years ago. At that job I was exposed to a lot medical technology. I started out simply setting up computer software and medical hardware for the engineers. Later I began doing some drawings for the company attorneys as they patented devices and minimally-invasive procedures to correct heart disease. Eventually I was invited to observe heart surgeries from the O.R., which truly sparked my interest in human anatomy patent illustrations. Since that first job I have been collecting vintage anatomical books. I spend a lot of time flipping through the illustrations, admiring their beauty and the way information is conveyed through them. I guess it’s sort of pleasure reading for me.
[Read more…] about Interview with patent illustrator Tom Giesler

Cris Vector – The Source

January 6, 2009 by Adam Jarvis Leave a Comment

Brazil –
Cris Vector (aka Christano Siqueria) has done it again. Here is an incredible example of his talent. This piece is entitled: “The Source”.

“…The work “The Source” is concerning about the humanity aspect and sensibility as a source to develop this kind of technology. The goal is to create effective and ethical ways to use these keys for their own preservation”…
Full description and more about the Clonewar project
Source: crisvector.com
Behance
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